March 18th, 2026
Rob's Picks:
Lobo #1 The Main Man is back and as ridiculous as ever, fresh off his showdown with Wonder Woman and ready to raise hell across the cosmos. This series leans hard into Lobo’s over-the-top personality, delivering a nonstop barrage of crude humor, ultraviolence, and self-aggrandizing narration as he tracks a bounty to a seedy intergalactic dive bar. Things spiral quickly when his payday gets pulled at the last second, sending him on a warpath that uncovers a bizarre twist—the bounty hunting underworld has been hijacked by the entertainment industry. What follows is a chaotic, satirical ride that pits Lobo against a corporate machine fueled by content and monetization. Skottie Young’s unhinged humor pairs perfectly with Jorge Corona’s exaggerated, elastic art style, creating a book that feels like a Looney Tunes short filtered through pure comic book chaos. It’s loud, messy, and completely self-aware, making it one of the most purely fun reads of the week and another strong example of DC letting creators fully cut loose with their characters.
Deathstroke: The Terminator #1 Slade Wilson steps into full John Wick mode in a gritty, action-packed return that wastes no time throwing him into the fire. For Deathstroke, killing is business—but lately, business hasn’t exactly been booming. With Rose and Wintergreen helping keep Deathstroke Inc afloat, the margins are tight and every new contract adds to an already massive list of enemies. When a job goes sideways, Slade refuses to walk away, pushing forward until he and his team are caught in a carefully laid trap. With the people he actually cares about now in danger, professionalism goes out the window as Deathstroke shifts into pure revenge mode, determined to hunt down whoever orchestrated the hit. Tony Fleecs keeps the pacing relentless, stacking gunfights, car chases, sword clashes, and explosions into a constantly escalating sequence of events. Rather than trying to soften Slade or make him sympathetic, the story fully embraces his role as a brutal antihero, leaning into the satisfaction of watching a bad man dismantle even worse ones. Carmine Di Giandomenico’s art grounds the chaos with weight and impact, keeping every hit feeling real even when things get larger than life.
Marc Spector: Moon Knight #2 Marc may have escaped Mister Fear’s illusion, but he’s far from free, still navigating a labyrinthine facility that seems determined to break him. Adding to the mystery, longtime enemy Zodiac has unexpectedly become an ally, fighting alongside Marc with unclear motives as they carve a path through waves of henchmen. While Zodiac is focused on escape, Marc is after answers—specifically who put him here and why. Meanwhile, Mister Fear is asking similar questions of his own benefactor, the enigmatic Mr. Smith, whose reveal ties directly into Marc’s past as a soldier of fortune. The issue’s centerpiece is a chilling monologue that reframes everything we’ve seen so far, grounding the story’s surreal elements in themes of control and manipulation. Writers Murewa Ayodele and Jed MacKay strike a strong balance between introspective, idea-driven storytelling and straightforward, hard-hitting action. Whether you’re drawn to Moon Knight for its psychological depth or just want to see him beat his way through enemies, this issue delivers on both fronts in a big way.
Solo's Picks:
Batwoman #1 Kate Kane finally returns to the spotlight in her first solo run in over a decade, and she does so alongside Greg Rucka, who hasn’t written the character in 17 years. The issue opens in Greece, immediately setting a somber tone as we find Kate in a vulnerable place, reluctantly engaging with her therapist while clearly carrying the weight of everything she’s endured. This is a deeply introspective debut that explores her mental state and complicated family dynamics while also giving newer readers a concise but effective look at her past, including key moments with Beth. DaNi’s artwork plays a huge role in selling that tone, using sharp inks and a muted, almost lifeless color palette that becomes more drained as we descend further into Kate’s psyche. That makes the final page hit even harder, with a striking splash of red cutting through the gloom as Batwoman stands framed in a powerful, almost defiant image. This was an outstanding return for the character, balancing emotion, style, and storytelling in a way that makes it an easy recommendation—get this on your pull list now because it feels like it’s only going to get better from here.
The Sentry #1 The Golden Guardian of Good gets a fresh start in a surprisingly accessible new series from Paul Jenkins and Christian Rosado, and it serves as a perfect entry point for readers unfamiliar with the character. Set just before the events of the recent Hulk storyline, this issue presents a version of Bob Reynolds whose struggle with The Void has reached a terrifying new level. The balance between hero and destroyer is completely unraveling, shown in a shocking sequence where Sentry obliterates an entire nation only to later help fix the damage alongside the Avengers. That contradiction defines the book, with Bob’s overwhelming guilt becoming the emotional core of the story. The artwork is phenomenal throughout, but the standout moment comes when The Void confronts Wilson Fisk in a shadow-drenched alley, with heavy inks and jagged linework amplifying the tension and horror. Even if you’ve never picked up a Sentry book before, this issue gives you everything you need to understand the character while delivering a powerful and unsettling narrative—definitely worth grabbing.
Super Creepshow #1 Horror and superheroes collide in this wildly entertaining anthology that delivers two twisted tales packed with parody, dread, and dark humor. The first story, “Creeping,” is a clear homage to Spider-Man, reimagining his origin through a horror lens that constantly pulls the rug out from under the reader with clever twists and unsettling imagery. It’s a chaotic, emotional ride that captures both the tragedy and terror baked into the original concept while pushing it into far darker territory. The second story takes inspiration from The Flash, but flips the script into something far more disturbing, focusing on obsession and control as the horror slowly creeps in before hitting hard midway through. The idea of a superpowered, unstable individual fixating on someone is genuinely chilling, and the execution sells that fear perfectly. On top of the strong storytelling, the cover art is a standout, paying homage to Amazing Fantasy #15 in a way that immediately grabs attention. If you’re into horror with a superhero twist, this is an easy pickup and a seriously fun read.