Rob's Picks:

DC K.O.: Boss Battle #1 Worlds collide in an audacious intellectual property royal rumble as the remaining fighters in the King Omega Tournament prepare to face their Absolute counterparts, only for the World Forger to intervene with one final chance at a power-up. To earn their upgrades, the combatants—alongside select fallen champions—step through cracks in reality to battle lethal denizens from entirely different worlds, resulting in a lineup of matchups that range from thematically perfect to delightfully unexpected. Highlights include Wonder Woman and Red Sonja earning each other’s respect through sheer force, and an inspired 2v2 showdown that pits Plastic Man and Black Lightning against Mortal Kombat’s Scorpion and Sub-Zero. Jeremy Adams confidently wrangles an eclectic cast drawn from well beyond the comics sphere, while four artists ensure each crossover world feels authentic, from storybook watercolor aesthetics to pitch-black horror cinematography. Even the highly anticipated Superman versus Homelander clash lands with sharp efficiency, leaving ample room for the undercard bouts to shine and making this one-shot a joyous, high-concept spectacle that fully embraces DC K.O.’s anything-goes ethos.

Ultimate Endgame #2 Back inside the Maker’s city, the Ultimates find a situation even more fractured and surreal than anticipated, with Howard Stark—their man on the inside—struggling to piece together the truth after lifetimes of time-hopping guerilla warfare. As Tony attempts to reconnect with his father, Wakanda formally joins the global resistance, sending Killmonger into the city while dramatic changes unfold in the outside world where time moves far faster. Deniz Camp expertly balances a growing web of plot threads without overwhelming the reader, but this issue unmistakably belongs to Howard Stark, whose narration delivers emotional weight, sharp humor, and crucial exposition while bringing his arc full circle from Ultimate Invasion. Though much of the supporting cast takes a backseat, key moments still land, including Spider-Man’s mounting anxiety over time lost with his family and a grim new revelation tied to Doom. The Ultimates line has thrived on unpredictability, and Endgame continues that trend, pushing the story toward a conclusion that feels genuinely impossible to forecast.

Archie x the Army of Darkness #1 In a week packed with wild crossovers, Archie somehow claims the title of most unexpected pairing by colliding headfirst with the splatter-filled insanity of The Army of Darkness. True to Evil Dead tradition, a group of teens retreats to a remote cabin for a weekend getaway, only to unleash an ancient evil from the Necronomicon—an escalation far beyond Archie Andrews’ usual romantic mishaps. Surprisingly, the gore-heavy horror meshes seamlessly with Riverdale’s teen comedy, as the splat-stick sensibilities of Army of Darkness complement Archie’s long-standing goofball charm. Erik Burnham and Bill Galvan, veterans of both kid-friendly cartoon work and gross-out humor, strike the perfect tonal balance, delivering genuine scares alongside laugh-out-loud moments. With demons picking off teens left and right, Archie’s unlikely trump card arrives in the form of S-Mart shift supervisor Ash Williams, proving that sometimes the cleanest kid in comics needs the messiest hero imaginable. Hail to the king, baby.

Solo's Picks:

D’orc #1 Brett Bean delivers a gleefully twisted fantasy debut where every faction is equally awful, war is a way of life, and a half-orc, half-dwarf is cursed with a prophecy claiming he’ll end the world. D’orc owns nothing but a robe, a destiny of destruction, and a relentlessly insulting, cursed talking shield that serves as both companion and critic, creating a genuinely hilarious central dynamic. Their journey through this savage, absurd world balances sharp humor with surprising brutality, heightened by an art style that feels almost storybook-cute, creating a striking contrast with the violence and moral ugliness on display. The result is a book that feels playful, vicious, and overflowing with personality, evoking strong comparisons to Skottie Young’s I Hate Fairyland in how it weaponizes charm against chaos. Every character feels distinct, the rival kingdoms are comically similar in their awfulness, and the humor only sharpens because of it—this is a devilishly fun first issue that’s easy to recommend.

Magik and Colossus #1 Ashley Allen and Germán Peralta kick off a short but powerful miniseries that showcases Illyana Rasputin and Piotr Rasputin at their absolute best. Set shortly after the fall of Krakoa, the issue opens with a weary, guilt-ridden Colossus struggling to find peace in the aftermath of his past actions, only to be pulled back into violence just as he’s ready to surrender entirely. Magik’s explosive entrance immediately reasserts the siblings’ dynamic, and the story thrives on their contrasting approaches to trauma, responsibility, and survival as monsters and myths descend upon their homeland. The emotional tension between them feels organic, driven by love rather than conflict for conflict’s sake, and both characters are written with clarity, strength, and depth that’s been missing at times in recent years. Packed with action, heart, and sharp characterization, this opening chapter is a blast from start to finish and a must-pull for fans of either sibling, especially with only three issues on the slate.

Love Ignited #1 Ignition Press continues its impressive streak with its first anthology, delivering a thoughtfully curated collection of romance stories that spans genres, tones, and eras with remarkable confidence. From ancient fables and modern relationships to melancholic space operas, each entry captures a different facet of love—sometimes tender, sometimes messy, and occasionally uncomfortable—in a way that feels intentional rather than gimmicky. While every story is well-crafted, the second and final entries stand out for their bold exploration of taboo themes like infidelity and obsession, using emotional discomfort as a storytelling strength rather than a weakness. The sheer variety on display ensures that no two stories feel redundant, and the contrast between pieces only enhances the anthology’s overall impact. With Valentine’s Day around the corner, this is an excellent pick for readers in the mood for romance in all its complicated, heartfelt, and occasionally dangerous forms.